(Viterbo, 1966)

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Carlo Bernardini obtained his diploma at the Fine Arts Academy in Rome in 1987. In 1997 he wrote the theoretical essay on “The division of visual unity”, which was published by Stampa Alternativa. In 2000, 2005 and 2010 he received a grant “Overseas Grantee” from the Pollock – Krasner Foundation of New York, and in 2002 the prize Targetti Art Light Collection “White Sculpture”. He works with optic fiber since 1996; he has created and installed permanent public sculptures in stainless steel and optic fibers in various Italian cities, and in 1996 and 2003 he has installed site specific works at the XII and XV Quadriennial National of Rome. He has created environmental public installations in optic fibers in various international cities, Amsterdam, Berlin, Rio De Janeiro, New York, Valencia, The Hague – L’Aia. In 2010 Bernardini is invited to the XIII edizione of “Luci d’Artista” (Artist’s Lights), in Turin.
Carlo Bernardini is devoted to the dialectic relation between lines and monochrome, representing different moments of the figurative conception of space and light. The painstaking path of abstraction, far from being a sole intellectual strategy, is a gradual research of the line element in order to conquer its essence, as if to trace the invisible.
His visual research is currently developed by means of environmental installations in optic fibers.
He currently teaches at the Fine Arts Academy of “Brera” in Milan. He lives and works both in Rome and Milan.

Solo exhibitions

2017

Suspended Space, Politecnico di Milano, Campus Bovisa Edificio B2, curated by Giovanna Piccinno e Isa Tiburcio.

2016

Invisible Dimensions, La Porta di Milano, Aeroporto di Malpensa Terminal 1, Milan, curated by Marco Meneguzzo.

Invisible Coordinates, 898 Innospace, GIC Global Innovator Conference 2016, Beijing.

2015

Invisible Dimensions, Sculpture and Object XX, Milan Dobeš Museum, Bratislava, curated by Viktor Hulik.

2014

The Light Walk, Castello dell’Imperatore – Cassero Medioevale, Prato, curated by Museo Pecci di Prato.

2013

Infinity, The House Peroni, London, curated by Saatchi & Saatchi.

2012

Corporeità della Luce, Palazzo Bagatti Valsecchi, Milan, by Grossetti Contemporary Art.

Campo Magnetico, Palazzo Clerici, Milan.

2011

Revenge Angle, MACRO Summer 2011, MACRO Museo d'Arte Contemporary Rome, Rome.

Vacuum, Delloro Arte Contemporanea, Berlin.

La Luce Oltre la Materia, Basilica di S.Maria in Montesanto, Rome, a cura di Silvia Marsano, Marilena Borriello.

La Materia è il vuoto, Castello Cinquecentesco, “Re Place 2”, L'Aquila, a cura di Germana Galli.

2010

The Light that Generates Space, Antonella Cattani Contemporary Art, Bolzano.

Crystallization Suspended, CRAA, Research Center Arts Current, Villa Giulia, Verbania, to cure di Francesca Referza.

2009

The Light that Generates Space, Palazzo Litta, Ministero dei Beni Culture, Milan.

Code Space, Grossetti Contemporary Art Gallery, Milan.

Code Space, Velan Centro Arte Contemporanea, Turin.

Permeable Space, 13th annual D.U.M.B.O. Art Under the Bridge, New York, edited by the Dumbo Arts Center.

The light that generates the space, Galleria Delloro, Rome.

2008

Galleria Bruna Soletti, Milan, by Giorgio Verzotti.

Interrelations in space, Castello di Rivara (TO), edited by Franz Paludetto.

Permeable Space, Museum d'Art Contemporary, Liss (MI), to cure di Luigi Cavadini.

Transformation of space, Gallery Teknè, Power, by Silvia Pegoraro.

2007

Event Horizon, Swing Space LMCC, New York, to cure della LMCC.

Interactions-strutturaspazioluce, C.Bernardini-B.DePonti, Milly Galleria Pozzi, As, the priest says Luciano Caramel.

2006

Light Sculptures, Milly Galleria Pozzi, As, the priest says Luciano Caramel.

2005

Luminosistemi, Antonella Cattani Contemporary Art, Bolzano, a cura di Nadja Perilli.

Gallery Sun Contemporary Art, Rome, by Enrico Crispolti, Alessio Verzenassi.

Catalysts of Light, Velan Centro Arte Contemporanea, Turin.

2004

Permeable space 2004, Museo Step Imperiale, Rio De Janeiro.

Lighting conditions, Gallery Milan, Milan, by Marco Meneguzzo.

Lighting conditions, Galleria Bruna Soletti, Milan, by Marco Meneguzzo.

Line of Light, Gallery Space, Bologna.

2003

Di Luce System, Galleria del Naviglio, Milan, the priest says Rachele Ferrario, Nadja Perilli.

Di Luce System, Gallery Spaziotemporaneo, Milan, the priest says Rachele Ferrario, Nadja Perilli.

Permeable Spaces, Spazio As, As.

2002

Permeable Space, Sculpture Space, White Room, Utica, New York.

2001

Permeable Space, Foil Contemporary Art Gallery, Padua, curated by Achille Perilli.

Visual Division Unit, Museum of Contemporary Art D', "Su Logue is S'Iscultura", Ex Mercat Civic, Tortolì (NO).

2000

Ambiguous L'looks dell'arte, Galleria L'Isola, Trent, a cura di E. Giovagnoni.

1999 Light as a matter of the senses invisible, Gallery Spaziotemporaneo, Milan, by Claudio Cerritelli.

Light, Galeria Arsenal, Bialystok, a Cura di Magdalena Godlewska – Siwerska, Alexandra Petrova.

Visual Division Unit, Museum of Contemporary Art Workshop, Università "La Sapienza", Rome, a cura di Nadja Perilli.

1998

Visual Division Unit, Musis, Museum of Science and Information Science, Università "La Sapienza", Rome, by Enrica Torelli Landini, Nadja Perilli.

Agreements Light, National Gallery of Pilotta, Parma, by Vittoria Biasi.

1997

Splitting of a parallelogram, Experimental Museum of Contemporary Art, L'Aquila, by Enrica Torelli Landini.

Visual Division Unit, Palazzo Pallavicini, Galleria Alphacentauri, Parma, by Vittoria Biasi.

1991

Miralli Gallery - Palazzo Chigi, Viterbo, by Simonetta Lux.

Galleria Art S.Lorenzo, Rome.

 

Environmental public installations

 

2017

Invisible Dimensions, 2° Bienal Internacional de Asuncion, Significar lo Imposible”, UPAP, Una Universidad Todo un Pais, Asuncion, curated by Osvaldo Gonzalez Real.

2016

Traiettorie Orbitali, Palazzo del Broletto, 8208 Lighting Design Festival, As.

2015

Invisible Dimensions, “Luz do Mundo”, Bienal Internacional de Curitiba, Museu Oscar Niemeyer, Curitiba, curated by Teixeira Coelho.

2014

Vacuum Breath, “Icastica 2014”, Palazzo Comunale – Piazza della Libertà, Arezzo, curated by Fabio Migliorati.

2013

Submerged Breath, Nuit Blanche, Moselle Canalisée, Square du Luxembourg, Moyen Pont, Metz, curated by Hervé Foucher.

Corporeality of Light, Via dei Priori – Torre degli Sciri, Perugia, curated by Claudia Bottini.

2012

Corporeità della Luce, “Door to Door”, Museo Diocesano, Salerno.

2011

Drawing of the Vacuum, Bocconi Art Gallery, Bocconi University, Milan.

Field of organic light, “The Road to Contemporary Art”, MACRO Testaccio, Rome.

Aprite la Luce, Conveniently Festival, Palazzo dell’Anas, Vittorio Veneto (TV) a cura di Daniele Capra.

2010

Crystallization Suspended, Luci d'art Turin, XIII edizione, Bertalazone Palazzo di San Fermo, Turin.

Crystallization Suspended, Artlight Domaquarèe, Redefining Centre, DomAquarée, Berlin.

The Light that Generates Space, NIMk – Netherlands Media Art Institute, Sonic Acts, The poetics of space, Amsterdam, the priest says Lucas van der Velden, Annette Wolfsberger, Arie Altena, Nichy Assmann, Martijn van Boven, Gideon Kiers.

Space Interrelations, Theater a/h Spui, Spuiplein, TodaysArt, The Hague – L’Aia.

Drawing room with light, Via Dr. Champion, Bolzano.

2009

Code Space, Piazza S.Stefano, Artefiera ArtFirst, Grossetti contemporary art, Bologna.

Code Space, permanent opera, Open Mind(s) – Villa del Grumello, As, by Giorgio Verzotti.

Code Space, permanent opera, Twister – MAM - Museum of Modern and Contemporary Art, Gazoldo degli Ippoliti (MN).

The Light that Generates Space, via the Consolato – Golden Square, Roma, by Delloro Contemporary Art, Rome.Rome

2008

Permeable Space, City of Arts and Sciences, Valencia, by Toni Calderon.

Light Waves, permanent opera, Aereoporto of Salento, Toast.

Catalysts of Light, Museum d'Art Contemporary, Liss (My), to cure di Luigi Cavadini.

Bewilderment, Via del Forno, Castelbasso (TO), by Silvia Pegoraro.

2003

Beamline, Italian Presidency of the EU, Piazza del Campidoglio, Rome, by Vittoria Biasi.

2002

Permeable Space, permanent opera, Viale dei Platani, Castellanza (Varese).

2001

Permeable Space, Valparaiso Foundation, Mojacar, Almería. Lights of Ancona, C.Bernardini, P.Mussini, Pepimorgia, Studio Azzurro, Piazza Cavour, Ancon, by Christian Hills. 2000 Agreements Light, C. Bernardini, A. Biasi, M.Bowditch, by River-Palace of Reason, Padua, by Vittoria Biasi.

1999

Permeable Space, Torre del Museo Civico, Reggio Emilia, by Christian Hills. Permeable Space, Chiostri di S.Domenico, Reggio Emilia, by Christian Hills.

 

Main group exhibitions

 

2017

 Incorporeal Flicker, Wanlin Art Museum of Wuhan University, Wuhan, curated by Alessandro Riva.

Effimera, Suoni, Luci, Visioni, MATA Manifattura dei Tabacchi, Modena, curated by Luca Panaro e Fulvio Chimento.

Black Light Art, la luce che colora il buio, Palazzo Lombardia, Milan, curated by Gisella Gellini e Fabio Agrifoglio.

Tra Luce e Vuoto, Studi Festival 2017, Studio Carlo Bernardini, Milan, curated by Alessandra Alliata Nobili.

2016

Tensioni Strutturali #1, Galleria Eduardo Secci Contemporary, Florence, curated by Angel Moya Garcia.

Interrogare lo spazio, Ferrarin Arte, Legnago (VR) curated by Luigi Meneghelli.

2015

Luz do Mundo, Bienal Internacional de Curitiba, MUSA Museu de Arte da UFPR, Universidade Federal do Paraná, Curitiba, curated by Teixeira Coelho.

Puszta Fèny – PureLight, Vasarely Museum, Budapest, curated by Maurer Dóra.

In the spirit of Light, Műcsarnok Kunsthalle Budapest, curated by International Kepes Society.

Heart Modulation, Silos Art Inside, isola della Giudecca, Venice, curated by Grossetti arte contemporanea Milano.

Open18, Molino Stucky Isola della Giudecca, Venice, curated by Paolo De Grandis.

Fény(NY)Elvek, Kepes Institute, Eger, curated by Marton Orosz.

2014

La Bienal del Fin del Mundo, 4th edition, Plaza de Agua, Mar del Plata, curated by Massimo Scaringella, section curated by Vittoria Biasi.

Islamic Arts Festival, 17th edition, Sharjah Art Museum, Sharjah.

Light Art Ensemble, Ex Chiesa di San Carpoforo, curated by Gisella Gellini.

Seminaria Sogninterra 2014, Festival D’Arte Ambientale, Maranola di Formia (LT), curated by Marianna Fazzi, Isabella indolfi.

2013

Digital Life, Liquid Landscapes, MACRO Testaccio, Rome.

Artisti nello Spazio, da Lucio Fontana a oggi: gli ambienti nell’arte italiana, Complesso Monumentale del S.Giovanni, Catanzaro, curated by Marco Meneguzzo, Bruno Di Marino, Andrea La Porta.

White&White nel dialogo tra Corea e Italia, Museo Bilotti, Rome, curated by Vittoria Biasi.

Art Interactions – Temporary Museum for New Design, Superstudio, Milan.

Sessant’anni di astrazione italiana dalla collezione Garau, Museo Piaggio, Pontedera (PI), curated by Alberto Rigoni.

2013

White&White nel dialogo tra Corea e Italia, Museo Bilotti, Rome, by Vittoria Biasi.

Art Interactions – Temporary Museum for New Design, Superstudio, Milan.

Sessant’anni di astrazione italiana dalla collezione Garau, Museo Piaggio, Pontedera (PI), a cura di Alberto Rigoni.

2012

2011

Kinetica Art Fair, Ambika P3, University of Westminister, London, a cura on Tony Langford.

Kinetica Art Fair Prewiew, The Arc Show, Business Design Centre, London, a cura on Tony Langford.

Principia. Rooms and substance of the arts coming, Pavilion Molecular, Piazza Duomo, Milan, a cura on Denis Santachiara. “11”, Gallery Space, Bologna.

On View, Antonella Cattani Contemporary Art, Bolzano.

Fourth Dimension, Banca Akros, Milan, by Mimmo Di Marzio, Nicoletta Castellaneta.

2010

The Italian Scultura XXI Secolo, Pomodoro Foundation, Milan, by Marco Meneguzzo.

The Light that Generates Space, NIMk – Netherlands Media Art Institute, Sonic Acts, The poetics of space, Amsterdam, the priest says Lucas van der Velden, Annette Wolfsberger, Arie Altena, Nichy Assmann, Martijn van Boven, Gideon Kiers.

XXL - Extraextralarge, Superstudio, Milan, by Alberto Zanchetta.

“10”, Gallery Space, Bologna. Bianco's Primavere, MOA, Museum of Art, National University, Seoul, by Vittoria Biasi.

Opening Contemporary, Bertalazone Palazzo di San Fermo, Turin, edited by Franz Paludetto.

 2009

The Group Show, GAM – Civica Galleria d'Arte Modern, Gallarate (VA), by the Regional Network of Museums of Lombardy.

Body, Automata, Robot. Tra art, Science and Technology, Museo d'Arte Villa Ciani, Lugano, by Bruno Cora and Peter Bellasi.

Bianco's Primavere, Art & Culture Centre, Bangkok, by Vittoria Biasi.

Cromofobie, Ex Aurum, Pescara, by Silvia Pegoraro.

Meetings path, Miralli Gallery - Palazzo Chigi, Viterbo, by Agnes Miralli.

Selection 2009, the best of Bruno Grossetti choice, Grossetti Contemporary Art, Milan.

Dialoghi D'-Accanto, Warehouses Palace Cats, Viterbo, by Federico Sardella.

2008

Digital Media, LA NAU – University of Valencia, Valencia, by Toni Calderon.

Springs in White, Lalit Kala Academy, Rabindra Bhawan, New Delhi, by Vittoria Biasi.

Springs in White, Rabindranath Tagore Centre, Calcutta, by Vittoria Biasi.

Drawing all over – the power of the line, Kunstverein KISS pace Rares Art Museum at the Castle Untergröningen, Abtsgmünd-Untergröningen (Stuttgart), by Otto Rothfuss, Margarete Rebman.

Tina B, Alternative Space, Prague, a cura at Monika Burian e Rosanna Musumeci.

Mainsites – Mainseits 2008, Art in Schloss Homburg, Triefenstein Homburg (Frankfurt), curing di Gertrude Elvira Lantenhammer.

Sculpture and Object XIII, GMB-Mirbach Palace, Bratislava (Slovakia), a cura di Lia De Venere.

Sensitive Architectures, Castello di Rivara, Rivara (TO), by Linda Giusti.

VI International Sculpture Biennale of the Piedmont Region Umberto Mastroianni Award, Accademia Albertina, Turin, the priest says Luciano Caramel, Enrico Crispolti, Marisa Vescovo.

XXV Biennale di sculptures di Gubbio, Palazzo Ducale, Gubbio, by Giorgio Bonomi.

Riserva Creativa, Manifesta 7 parallel event, Hangar Dorigoni, Trent, by Rita Matano.

Border territories: Texture e Lumiere, Primo Piano Living Gallery – Palazzo Rubichi, Lecce, a cura di Dores Saquegna.

Luce Chiarimenti arts industry, Villa MAZZOTTI, Clear (Brescia), by Ilaria Bignotti and Luca Panaro.

2007

Art Paris, Grand Palais, Paris, Galeria Artiscope Brussels.

Come along to the future, Východoslovenská Gallery, Kosice (Slovakia), edited by Attila Csáji.

International Light Workshop, Gallery A22, Budapest, to cure della Kepes Society. Allarmi3, Casema of Cristoforo, As, edited by C.Antolini,

I.Quaroni, A.Trabucco, A.Zanchetta. The Dark Art Room, Gallery Other Work in Progress, Rome, a cura di Francesca Franco.

The Academy of Brera at the Civic Museums of Pavia, Visconti Castle, Pavia, a cura di Andrea Del Guercio.

Maravee 2007-Energy, Salt Warehouses-Villa-Ottelio Savorgnan, Ariis in Rivignano (UD), edited by Sabrina Zannier.

Light Tales, Castello Svevo, Trani (BA), a cura di Lia De Venere. Rosengarten, Antonella Cattani Contemporary Art, Bolzano.

The new Italian figuration - To be continued .., Fabbrica Borroni, Bollate-Milan, to cure di C.Canali.

2006

Light On, Galleria Artiscope, Brussels.

Filophilo, Hotel City Montrouge, Paris, the priest says Luciano Caramel.

Targetti Art Light Collection – White Sculpture, MUAR, National Museum of Architecture Schusev, Moscow, a joke in Amnon Barzel.

In & Out, New Italian Sculpture, Gallery Space, Villa Paleotti Isolani, Bologna.

2005

FiloLuce, Museo della Permanente, Milan, by Rachel Ferrario and Lorella Judges.

Materika, Castle of Gorizia Castle Kromberk, Gorizia – Nova Gorica, by Claudio Cerritelli, Peter Weiermair, Aleksander Bassin, Radovan Vukovic.

Fontana e la sua eredità, Palazzo Tirocchi, Castel Low (TO), by Silvia Pegoraro.

In & out, Work environment and the size Glocal, Michetti Museum, LVI Premio Michetti, Francavilla al Mare, the priest says Luciano Caramel.

Sculpture in the Public Arena 2005/06, Sculpture Now, Main Street, Great Barrington, (Massachusetts).

The fourth direction in space, C.Bernardini-M.Sobral, Navona Gallery 42, Rome, by Vittoria Biasi.

Filophilo, 2005Miniartetextilcomo, Chiesa di San Francesco, As, the priest says Luciano Caramel.

Sculptures in the Park, New Italian sculpture, Villa Paleotti Isolani, Minerbio (BO), by Space Bologna.

Premium Giovani – Sculpture 2005, Accademia di S.Luca, Rome.

2004

Enter invite the Future, Casoli Award, Barbara Behan Gallery, London, a cura di Valerio Dého.

Lumen, C.Bernardini, A.Biasi, T.Boniolo, Foil Gallery, Padua, edited by Sabrina Zannier.

Metamorphosis – The ambiguity of vision, XXXVII Premio Vasto, Civic Museum of Palazzo d'Avalos, Vast, by Alessandro Riva.

Clearly, Fortress of the Sea Island Palmaria, Porto Venere, La Spezia, a cura in G. Bonomi.

From the rooftops down life, Galleria In Plain Air, Pinerolo (TO), by Tiziana Conti.

Preview, MIART, Milan, Gallery Spaziotemporaneo (My).

All'ombra di Bramante, Bramante dell'Hotel Parco, Todi (PG), by Giorgio Bonomi.

2003

Preview, XIV Quadrennial National Art, Royal Palace, Naples.

Targetti Art Light Collection – White Sculpture, Chelsea Art Museum, New York, a joke in Amnon Barzel.

Italian Art for the XXI Century at the MFA, Ministry of Foreign Affairs, Rome, by Lorenzo Canova.

Enter invite the Future, Casoli Award, Gallery Space, Bologna, a cura di Valerio Dého.

He formed della luce, Foil Contemporary Art Gallery, Padua.

2002

Targetti Art Light Collection – White Sculpture, Centre for Contemporary Art Ujazdowski Castle, Warsaw, a joke in Amnon Barzel.

Thai-Italian Space 2002 – Light Accords, National Gallery of Contemporary Art, Bangkok, by Vittoria Biasi.

The city / visible, Triennale di Milano XX, Palazzo della Triennale, Milan, by Gianni Canova.

Award Passages Northwest 2001, Bernardini, Mazzoleni, Boom, Galleria Silvy Bassanese, Piston rod, by Alberto Fiz.

III International Sculpture Biennale of the Piedmont Region Umberto Mastroianni Award, Galleria S.Filippo, Turin, a cura in P.G. Castagnoli, C. Cerritelli, M. Corgnati, then at: The basement of the Art Gallery, Volterra.

Saving L'Europe, 7 Italian-7 Poles, Palazzo Calabresi, Viterbo, a cura di N. Perilli, J.Janiak, then at: Inner Spaces Multimedia, Poznan’.

Award di Scultura "M.Domini", (1° Premio), Villa Pomini, Castellanza (VA), a cura di R.Ferrario.

A bow di luce – Light-Proof, 5 Italian-5 English, (Installation in high water), Terrace Sea, Jesolo (AND).

Premium Giovani – Sculpture 2002, Accademia di S.Luca, Rome.

2001

In-Pressione, Bovisa - Officine AEM gas, Milan, by Mimmo Di Marzio.

Agreements Light – D'Oriente Occidente, National Museum of Oriental Art, Rome, by Vittoria Biasi.

Glimmers, Inner Spaces Multimedia, Poznan’, to cure della ON Gallery Poznan’;).

Technological, Tower Foundation Colombera, Gorla Maggiore, by Claudio Cerritelli, Maximum Bignardi.

Preview, MIART, Milan, Gallery Spaziotemporaneo (My).

Labyrinth of the imaginary, Vast Prize XXXIV, Institute Filippo Palizzi, Vast, by Claudio Cerritelli.

Horcynus Orca, International Prize for sculpture, Teatro Vittorio Emanuele, Messina, invitation by Martina Corgnati.

2000

Thai-Italian Art Space 2000 – The White Offerings, Art Gallery Silpakorn University, Bangkok, by Vittoria Biasi.

Wonders of reason and wonder of art, Humane Society – Open Space, Milan, the priest says Rachele Ferrario.

The scandal of the spirit, Annuale Arte 2000, Sixteenth-century castle, L'Aquila.

1999

Rhythm… lights…. and arts…, Fortezza Da Basso, Florence, by Vittoria Biasi.

Translacje, Collection Of The End Of The Century, Piotrków Trybunalski (Poland), to cure della BWA Gallery.

Premio On, Biennale D'Arte Contemporanea, Mole Vanvitelliana, Ancon, a cura di L. Caramel, E.Crispolti, S. Cuppini, D. Guzzi, C. Spadoni.

2000 Light Years, Gallery Parmiggiani, Reggio Emilia, by Christian Hills.

1998

New Contamination - Sculpture, Galleria d'Arte Modern, Udine, by Enrico Crispolti.

Translacje, Collection Of The End Of The Century, Piotrków Trybunalski (Poland), to cure della BWA Gallery.

Installations, P.Barillà, C.Bernardini, L.Galizia, P.Radi, Tuscania (VT), a cura di Nadja Perilli.

Agreements Light, Mazzocchi Gallery, Parma, by Vittoria Biasi.

1997

Arte a Roma, Municipal Gallery of Modern and Contemporary Art, former slaughterhouse in Testaccio, Rome.

1996

Italy 1950-1990 Latest Generations, XII Quadrennial National Art in Rome, Palace of Exhibitions, Rome.

1995 Almagno, Bernardini, Casagrande, Dompè, Galleria L'Isola, Rome.

Spells, Laboratory Museum of Contemporary Arts of the University "Tuscia", Bomarzo (VT), by Simonetta Lux and Miriam Mirolla.

1994

Member of the White, Chiesa di S. Francis, Bolsena, by Vittoria Biasi, in contemporary: Studio Bocchi, Rome. Old Abbey, Taormina. Me, Room 1, Rome.

1993

Day + Logos, Accademia in Romania, Rome, by Giorgio Segato, then at: Palazzo Correr, Humanistic Institute of Romanian culture, Venice; Museum Collections, Bucharest.

Il della memoria future, International Project Civitella D'Agliano '93 (VT) to cure di Paul Groot.

XXXIII Premio Suzzara, Galleria Civica d'Arte Contemporary, Suzzara (MN), by Enrico Crispolti, Antonello Negri.

Dialogue between two-dimensional and three-dimensional, Galleria Mondo Art, Rome.

1992

Young Artists IV, Palace of Exhibitions, Rome, section by Dominic Guzzi.

C.Bernardini – A.Talotta, Center L. Di Sarro, Rome, curated by Ludovico Pratesi.

XXXII Premio Suzzara, Galleria Civica d'Arte Contemporary, Suzzara (MN).

1991

A Capo, XXXI National Exhibition of Painting, Capo D'Orlando (ME), by Vittorio Fagone.

1990

Nature, International Project, Civitella D'Agliano 90 (VT), by Massimo Carboni.

Oltre il Muro, (Speciale Prize) Palazzo di Brera, Milan, by John Carandente.

 

Visual works in theatre:

Teresa d’Ávila, un castello nel cuore, di Michele di Martino, con Pamela Villoresi, regia Maurizio Panici, impianto scenico Carlo Bernardini, produzione Artè, Teatro Stabile di innovazione, Argot produzioni:

2015

Rome, Aula Magna Palazzo della Cancelleria; Brescia, Duomo Vecchio; Orvieto, Teatro Mancinelli; Verona, Basilica S.Teresa di Gesù Bambino; Trent, Chiesa S.Francesco Saverio; Treviso, Teatro Eden; Prato, Teatro Metastasio; Siracusa, Chiesa S.Lucia alla Badia; Enna, Cinema Multisala Grivi; Palermo, Teatro Orione.

Seen From the Non-Vu, contemporary dance and visual art, company Altroteatro of Rome, choreography di Lucia Latour,operates visive di P.Barillà, C.Bernardini, L.Galizia, P.Radi:

2001

Cagliari, Teatro Auditorium; Port, Balleteatro Auditorium; Salerno, Teatro Verdi.

1999

Rome, Vascello Theatre; Rimini, Teatro Novelli.

1998

Tuscania(Vt), Theatre Supercinema.

 

The following have written on Carlo Bernardini’s works:

 

Manuela Annibali, Enrico Anselmi, Cecilia Antolini, Vito Apuleo, Pietro Bellasi, Vittoria Biasi, Maximum Bignardi, Ilaria Bignotti, Giorgio Bonomi, Claudia Bottini, Chiara Canali, Lorenzo Canova, Daniele Capra, Luciano Caramel, Luigi Cavadini, Jacqueline Ceresoli, Claudio Cerritelli, Renato Civello, Teixeira Coelho, Cristiana Colli, Tiziana Conti, Martina Corgnati, Bruno Corà, Enrico Crispolti, Claudio Cucco, Stefania Dalla Torre, Cecilia Dealessi, Carlotta Degl'Innocenti, Valerio Dehò, Elena De Luca, Rachele Ferrario, Alberto Fiz, Francesca Franco, Matteo Galbiati, Angel Moya Garcia, Gisella Gellini, Angiola Maria Gili, Elizabeth Giovagnoni, Sebastiano Grasso, Gino Guide, Dominic Guzzi, Gianleonardo Latini, Leda Lunghi, Simonetta Lux, Cristina Marinelli, Antonella Marino, Italo Marucci, Luigi Meneghelli, Marco Meneguzzo, Fabio Migliorati, Miriam Mirolla, Susanna Misiano, Valeria Moliterno, Silvia Pegoraro, Roberta Perfetti, Achille Perilli, Nadja Perilli, Alexandra Petrova, Veronica Pirola, Ludovico Pratesi, Alessandro Riva, Otto Rothfuss, Enzo Santese, Joseph Savage, Gabriele Simongini, Carla Testore, Isa Helena Tiburcio, Enrica Torelli Landini, Alessandro Trabucco, Maria Luisa Trevisan, Renzo Vespignani, Alessio Verzenassi, Giorgio Verzotti, Eugenio Viola, Sabrina Zannier.